SolNine

Ahh thank you for that information! In all seriousness, I appreciate you correcting my ignorance.

List and Array terminology also bothers me … Why not just call it an array?

The simple solution is not to rely upon AI. It’s like a misinformed relative after a jar of moonshine, they might be right some of the time, or they might be totally full of shit.

I honestly don’t know why people are obsessed with relying on AI, is it that difficult to look up the answer from a reliable source?

Given the reality that Linux simply isn’t viable for some people (including myself), I highly recommend using this tool.

https://christitus.com/windows-tool/

Between this, and manually uninstalling a lot of bloat (or using a specific type of windows install) and a few other tweaks, windows becomes significantly more usable.

Disabling garbage in the task bar, removing Cortana and indexing services, etc etc, it can also add a fairly decent uplift in performance.

I’m sure there is still telemetry being collected but significantly less and less impact on my user experience and day to day performance.

Oh and make sure you turn off auto/feature updates!

I think the mixing being different is likely dependent upon how good the engineer and mastering engineers are/were. I’d wager a fair number of bands releasing their albums to vinyl these days simply send over a very similar final master (maybe slightly less loud if you are lucky) to the vinyl cutting without much thought, because it’s the hip thing to do.

You are accurate, that they should ensure that low frequencies are mono compatible, but it is likely less of an issue for the style of music most associated with vinyl releases (indi etc), as stylistically they don’t tend to use stereo widening on low frequency instruments. Generally they have kick and bass down the center channel, or I suppose going mono style out of L/R if they are trying to be really old school, but that would likely take a completely different mix adding to production budget as I can’t imagine if would work to well on phones etc, which a lof of music is mix for unfortunately.

None of the artists I produce or mix for have requested it yet, but if they did I would send them to Fuller Sound Mastering as Michael has been around for ages and knows how to handle masters for vinyl.

Vinyl cutting also has an EQ curve offset that is printed into the vinyl itself, cutting the bass and boosting the high frequency, which is then re-applied by the players preamp circuitry, I believe it’s referred to as pre and de-emphasis. Funny enough my mastering DAC actually has this feature for some kind of old early CD technology for some lower resolution digital formats that had issues with noise and filtering and used a similar technology, I had never heard of this until I purchased this particular unit haha.

Lol, knew it was coming!

I’m a professional audio engineer for a living, with a masters in the subject, it was sarcasm lol…

I think you missed my sarcasm…

Edited to add: most CDs sound the same as their digital releases (assuming they had the same master which I’ve found isn’t always true), but occasionally you can actually get higher resolution, up to 96k/24 bit, which do sound different depending on your playback device.

Most of the difference is likely due to the nature of the DA filter being applied during playback, as I certainly won’t notice the noise floor between 16-24 bit, and any frequency difference is far far behind my range of hearing.

If you aren’t familiar with what I’m referring too, different DA implementations use varying filtering techniques, some have a slight roll off in the upper frequency range to improve the accuracy of transient response, while others use a flatter frequency response sacrificing the transient. Newer DAs from some manufacturers allow you to select which option you prefer. At double and quad sample rates this can largely become a moot point as any sacrifice to the frequency response is far out of the range of human hearing.

Only a few more years now till the retro sound of CDs comes back into style. I realize vinyl is a great and unique user experience with a specific timber, and more enjoyable to collect.

It’s kind of funny when you hear about the “analog warmth” when albums were being digitally mastered as early as the late 70s… And pretty much all re-releases are digitally remastered.

I never liked Twitter to begin with, once it became an unabashed environment for hate it was a piece of cake to close my account.

And this is why I’m still on Monterey… Being in audio production, it’s rare that updating your OS (barring security updates) improves your stability.

I am very sorry you all are living like that, it would drive me mad.

Anything that helps demonitize Twitter is good in my opinion!

Haha I’ve been trying too.

If only more people would move to Mastodon it could drop another 50% in value!

This 100%! I barely used Twitter to begin with, but as soon as he went off the deep end, I completely deleted my account.

And we do realize that revenue is different from net profits correct?

Oh ONLY 68 MILLION dollars, not to mention the ever increasing cost of living for all the other unionized cast and crew. I suppose they can totally just absorb those costs, or people should not get cost of living increases right… The company has a little over a 10% profit margin, which doesn’t seem egregious to me.

Love the down votes haha… I guess people don’t want to actually pay for creators to make content. I don’t think the average person has any idea how much content creation costs, nor how time consuming it is.

This shouldn’t really surprise anyone, the writers all finished striking for MORE MONEY. Services aren’t free, content isn’t free. Netflix hires a lot of writers and endless unionized people to make their shows and films. If we all want to be part of making society more equal it does infact come with higher costs for our selves, and I am perfectly fine with that.