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Joined 2 years ago
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Cake day: June 9th, 2023

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  • Thanks – that’s an announcement about policy updates. I already read it and it says nothing about fingerprinting. The only change to underlying technologies it mentions is the use of e.g. trusted execution environments (the doc for which, per a further link, is in fact on github). Those seem to claim that they let announcers run ad campaigns through Google ads while keeping their campaign data provably locked away from Google. So, basically, all these links are about purported “privacy-enhancing” techs, and you’d be forgiven for taking that with an enormous grain of salt, but either way, nothing in there about fingerprinting.

    The Guardian article basically paraphrases the Tuta one – or it’s the other way around, maybe – but does also not provide actual sources.

    I just want a source on what fingerprinting Tuta is claiming Google will start using. I feel like the details of the purported fingerprinting techniques should be front and center to this discussion and I’m frustrated that the article entirely fails to provide that info.




  • One funny thing about humans is that they aren’t just gloriously fallible: they also get quite upset when that’s pointed out. :)

    Unfortunately, that’s also how you end up with blameful company cultures that actively make reliability worse, because then your humans make just the same amounts of mistakes, but they hide them – and you never get a chance to evolve your systems with the safeguards that would have prevented these.








  • Thank you! I know all these things. This still doesn’t help when the DAW support and VST compatibility aren’t there.

    If you’re intent on doing music production on Linux, at least do yourself a favor and get a Reaper license, there are few enough pro DAWs that are Linux native. But be aware that many of the big industry VSTs are still not going to work. If you’re fine sticking to e.g. ZynAddSubFX or Pianoteq, though, knock yourself out.

    But you can’t reasonably expect musicians to jump those hoops and abandon their fav VSTs when their Windows tooling is there, and works.






  • Big missing piece there: cloud.

    In the first half of the 2010s, there was a study from Gartner or another such company, that forecast that the cloud service market would amount to 1 trillion USD/year by 2030 or so, and since then the big players have been racing to try and carve as much as possible of the future juicy pie from Amazon’s hands.

    Google completely missed the boat at first then pivoted hard. MS leveraged its deep enterprise presence as hard as it could to get existing customers into its cloud offering; that’s why your MS consumer products (Office, OneDrive, etc) are tied at the hip with cloud these days. Not for consumers, for the business market.

    It’s business to business, however, so the generak public doesn’t hear about it a lot. It’s also largely non-sexy, and therefore not headline-worthy, with a few exceptions. The whole AI thing, for instance. But even there, consumers are not the target market. Cloud customers are.

    In that sense Google, MS and Amazon absolutely already are the new IBM and Oracle.

    Meanwhile, as far as I can tell, Meta is still trying to execute on its mission to connect people while still headed by people who have no idea how people connect. Apple is Apple, keeps just making oodles of money off the kind of people who buy Apple products.



  • No.

    The French have started using new typographic conventions to turn nouns and adjectives neutral, or at least dual-gendered. French is a deeply gendered language by default, so for instance the word for author is “auteur” if the author is male and “autrice” if the author is female. If unknown, then… The author is assumed male.

    This is of course not great, and so the French people have started using constructions like “auteur.ice” or somesuch in order to include both options in the word. This approach appears to have become reasonably popular.

    The French right wing is EXTREMELY upset about this and is seeking to get it outright banned (they may already have succeeded actually).

    As far as I understand this museum is the brainchild of the fascist party RN and is entirely about the French language as the right wing thinks it should be spoken, as opposed to how it actually is. So, just yet another instance of taxpayer-funded reactionary crap.